Ultar interesting to approach the painter Lorenzo Macias using a beautiful poetic reference to the universe. In many of his paintings is portrayed a woman who looks straight ahead, like one of those big heads of Picasso. The lady wears a hat full of flowers funny dangling colored ribbons. The bouquet of flowers and ribbons framing the face of the girl with festive air. This pictorial motif has its origins in a folk festival in the pretty village of Aldan, where young girls parade in procession by wreath played that way at the celebration of Corpus Christi. That motif contains multiple records on which to interpret the painting of Macias and serves as an index or summary of all your work.

The female figure appears repeatedly as a support for the narrative of his universe. Women as goddesses, and Bacchae, as lovers or friends talk and sometimes celebrate the audience look weightless.

This female figure with elements of anthropology Galicia also includes other aspects of the avant-garde and the great masters of the twentieth century, which locates this world pictographic between local and universal.

The way in which the woman is drawn with a rapid pulse and close to the sketch, the links in the tables and drawings with the instinctive gesture of Picasso, but also wants to remind the brush full of life sketches of Delacroix or vibrant color stains Rubens. There is a lot of the baroque in the extreme form of not draw a line, but many scratches in the work of Lorenzo Macias.

By placing the female figure in different sets, it seems as if his films take her like a spell the artist's studio, to the party, the streets of small towns and finally, the musical dream as she repeatedly sees music or dance company.

Music is the most abstract of arts, there is only one whose latency when dispersed into the air and provides a magnificent pendant to the idealized figurative pictorial in the face of the muse.

The music is represented in pictographs silent in almost all categories of Lorenzo Macias, music ... dance music Matisse Picasso Faun ... house music of life.

His is a production where the quoted items, chromaticism, compositions of old masters or colleagues of this thematic thread serves. One way of painting led by involuntary memory and some specific affinities.

These matches the heart of the artist is found mostly in the tradition of painting over, rounded forms and opulence of the nineteenth century French composition when placed traveled by the Orientalist tendency the great Delacroix. To serve as a counterpoint explanatory, the other great line of seminal nineteenth century art, would be the classical and neoclassical heir of Poussin, Ingres and David as with senior representatives.

However, many artists of the twentieth century placed item and forms closer to a trend (opulent) than the other way (classical) depending on which language they choose to cover their canvases. Picasso undoubtedly belongs to the opulence. Balthus belongs to the classical simple. To better understand the reason of interwoven relationship observed in Lorenzo Macias with Picasso, the Fauves, you should use this form baroque origin from the ornate and rococo culture of the eighteenth century. That is also one of the sources where drinks and contemporary modernity as in the case of Lorenzo Macias.